The Story of Classic Crime in 100 Books

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Product Details
Price
$29.95  $27.85
Publisher
Poisoned Pen Press
Publish Date
Pages
368
Dimensions
5.7 X 8.8 X 0.9 inches | 1.2 pounds
Language
English
Type
Hardcover
EAN/UPC
9781464207211

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About the Author

Martin Edwards is the recipient of the CWA 2020 Diamond Dagger Award for sustained excellence in his crime writing career and his significant contribution to the genre. His most recent novel is GALLOWS COURT, the second book in the Rachel Savernake Golden Age Mystery series. His eighth and most recent Lake District Mystery is THE GIRL THEY ALL FORGOT. Martin is also a well-known crime fiction critic, and series consultant to the British Library's Crime Classics. His groundbreaking study of the genre between the wars, The Golden Age of Murder, was warmly reviewed around the world, and won the Edgar, Agatha, H.R.F. Keating and Macavity awards. His The Story of Classic Crime in 100 Books has been nominated for five awards. A well-known commentator on crime fiction, he has edited 37 anthologies and published diverse nonfiction books, including a study of homicide investigation, Urge to Kill. An expert on crime fiction history, he is archivist of both the Crime Writers' Association and the Detection Club. He was elected eighth President of the Detection Club in 2015, is current Chair of the CWA, and posts regularly to his blog, 'Do You Write Under Your Own Name?'

Reviews
"The book is engagingly written, allowing for the reader to maybe not have much knowledge of the classic crime stories, especially the older ones, but it is quite inspiring and you can see Martin Edwards' passion shining through in the text. This is definitely a great addition to the collection and would make a great starting point for any of you who don't know the best place to start."--Matthew Barnes "Carpe Libris "
"Written as a companion to the British Library's Crime Classics series of reprints, this descriptive critical catalogue of 100 crime and mystery novels (mostly British) published in the first half of the 20th century is irresistible for aficionados and a reliable reading list for newcomers. Edwards' picks, most published during detective fiction's golden age between the two world wars, range chronologically from Doyle's The Hound of the Baskervilles (1902) to Julian Symons's The 31st of February (1950) and include, in addition to many of the usual suspects, a few outliers sure to enliven debates among diehard fans. He groups his selections into 24 chapters that cover numerous aspects of the literature - the great detectives, the fair-play mystery (epitomized by Ronald Knox's The Body in the Silo), the miraculous or locked-room mystery (a specialty of John Dickson Carr), country house and manor murder mysteries, and so on - and whose ordering shows classic tropes giving way to newer approaches more resonant with modern times. A crime novelist in his own right, Edwards (The Golden Age of Murder) brings a specialist's discerning eye to discussions of each book's significance, and without giving away key plot points. This is an exemplary reference book sure to lead readers to gems of mystery and detective fiction." (Starred review)--Publishers Weekly
"Edwards follows his Edgar-winning The Golden Age of Murder (2015) with another study of primarily classical detective fiction, this one presented as a companion to the British Library Crime Classics series, also published in the US by Poisoned Pen...Most of the subject books are covered in a couple of pages, including plot summary, critical assessment, biographical notes and other sidelights, and historical significance. Edwards is an excellent guide as always, presenting new insight and information even on authors and books I thought I knew well."--Mystery Scene Magazine
"An 'unashamedly idiosyncratic' checklist from prolific novelist/editor/genre historian Edwards (The Dungeon House, 2015, etc.).As readers will expect from the editor of the British Library Crime Classics series, the lion's share of these 100 brief program notes, which read like a collection of prefaces, concern mystery novels published in England between the world wars. Even the most quarrelsome readers, their blood pressures duly raised, will take comfort in comprehensive indexes that list (though they give no page references for) titles and authors that didn't make the top 100."--Kirkus Reviews